Living, Writing, Acting (and Thriving!) in The GAP
This is the outline from my recent podcast episode on this subject. A link to the episode is at the bottom.
·
Definition:
an opening or empty space (PB); a break in continuity, like a hiatus (gap
year); a wide difference or disparity ("generation gap" or
"communication gap"); a mountain pass or a ravine
·
Brené Brown (authenticity): “minding the gap
… the space between where we’re actually standing and where we want to be.”
· Experimental psychologist, cognitive scientist, and linguist Steven
Pinker, The Blank Slate, writes that
people who acknowledge a “discrepancy between [a] goal and the current state of
the world … execute operations that tend to reduce the difference.”
·
What
is the gap between where you are and where you want to be? Goals, aspirations,
motivation
· In story terms: Robert McKee calls The Gap the area between expectation and result.
· “Where do you see yourself in five years?”
· What do we LACK?
·
The
gap signals Discontent; the desire for More (success, money, love, adventure…)
·
Themes.
Arcs. Spine. Superobjective. There’s a gap in every dyad, between the extremes,
and this is where story lives
·
Quantum
physics: Schrodinger’s Cat/wave probabilities/infinite possibilities
·
Wave/particle,
etc: dyads
·
Ritual
is a means of bridging dyads/liminal or sacred space
·
Incorporating
liminal or dream spaces in storytelling is a powerful mechanism for bridging
the gap between Ordinary and Nonordinary Reality.
·
Bardo is the Tibetan
Buddhist term for the gap, defined as an interval or intermediate state between
thoughts, experiences, or lives.
·
Alchemy in the gap is a catalyst for the
Ripple Effect
·
More
alchemy: Silence or pause as gap: The pause is not nothing (Meisner)
·
Closing
the gap as character motivation
· The inciting incident creates a gap, pushing us into the nonordinary
world; from content to discontent; a new goal
· Why is the gap so
story-rich? The disappointment
experienced when the outcome is not what we thought it would be or not equal to
the time, effort, and money expended (EXPECTATION) can be painful
· What is the character willing to do
to get what they want, or close the gap? [STAKES]
· What will happen if they do not get it? [Consequences]
·
Closing
gaps: Flashback, montage, backstory, origin story…
·
Fill gaps with action/conflict: key for HF. Gap-filling is a reward
of telling “true stories”
·
Is there a period in the person’s life that’s unknown? 18 yrs btwn
Jesus’s temple ep at 12 and re-emergence at 30
·
Vane 1719 to 1720, between arrest, hanging (ER etc)
·
Vice, Adam McKay: highly
stylized storytelling fills gaps in the life of secretive Dick Cheney.
·
The Terror, based on Dan Simmons book
(master of filling gaps w/paranormal). Drood’s a brilliant take on the
last months of Charles Dickens’s life.
·
Conjuring, Warrens,
Blumhouse…
·
Pastiches about SH’s time away after Reichbach Falls
·
Mysteries/thrillers/whodunnits; Escape Rooms
·
Memory gaps: Christopher Nolan’s Memento
·
The gap for the actor
·
The less distance btwn actor and character
the better. How?
·
Same for beginning writers
·
The AS IF.
·
An actor offers a unique interpretation
(SR/PSH)—amalgamation of writer’s words, the director’s vision, the energy and
intent of the other actors (and for a live presentation, the audience), all
filtered through the sum total of the actor’s experiences, learning, beliefs,
physical traits, voice, POV.
·
AI: the gap between wholly human and
wholly synthetic creation

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