No One Hears Unless You Scream: A Play About Teen Suicide
Commissioned by Seven Story Theatre Company in 2010
This play was made possible
by a grant from the Monmouth County Arts Council and several private donors.
This play has had productions
or readings in New Jersey, Connecticut, Ireland, Kentucky, and Colorado.
Author’s
Note
The writing of this play would not have been possible without the trust
and honesty of the members of Seven Stories (formerly New Mystics) Theatre
Company, whose willingness to talk about teen suicide and put themselves in the
place of their peers who cannot stand up and speak for themselves is
awe-inspiring and deeply humbling. You will never know whose life you may have
saved by giving so much of yourselves.
Production
Note
The stage is empty except for several boxes of different sizes, placed
around the stage haphazardly. Some are stacked, others solitary.
Along the two sides
of the playing area are clothing items, props, etc. used in the play. Again,
some are piled together, others are solitary. Those items used by the more
solitary characters should stand alone. These will be used as appropriate and
discarded after use as the blocking dictates and the director/actors choose.
The actors, dressed
all in black, enter the stage from the house, “wings,” and rear of the stage.
They enter in pairs, trios, and alone as the director deems fit (either
reflecting the character they play or not). They whisper as they enter—some
walking, some crawling, some looking at the audience or each other. Others seem
to stare at things that aren’t there.
The actors are
“ghosts” of the characters they play. Re-embodied voices of those that cannot
be here to speak for themselves.
As they enter, they
whisper “No one hears unless you scream,” rapidly and unintelligibly. Trios and
pairs should split the words between them in different ways. For example, one
trio might each take a word in succession: actor 1: No, actor 2: one, actor 3:
hears, actor 1: unless, actor 2: you, actor 3: scream. Or actor 1: No one,
actor 2: hears, actor 3: unless you, actors 1 and 2: scream. This should help
in making a “blanket” of white noise.
As the actors get
into their initial positions for the start of the play, as described in what
follows, they begin to get in synch with the phrase until all cast members are
whispering it together. The dialogue then begins.
Scene
1: “Statements of the Lie”
[The actors take positions similar to the positions they are in when
they speak the following lines later in the play. No boxes should be moved at
this point. All the cast members not in the scene speak “No one hears unless
you scream” in unison. It should be different in volume, pace, emphasis each
time, and the last several times should build considerably in intensity until
it nearly is a scream.]
EDDIE: Lots of times. It’s great for stress relief. You can have
someone do it for you, with their hands, or a scarf or something, or you can
just hang off a doorknob with a belt. Once you’ve had someone help a few times,
you can do it by yourself, any time you need to.
SCOTT: Strange… yet appealing. I’m in.
OTHERS: No one hears unless you scream.
LAURIE: I really need your help. Don’t your grandparents live with you?
They must have bottles of stuff they’d never even miss. I can pay you. I can
get you on the cheerleading team. You want that, don’t you? I’m captain this
year.
OTHERS: No one hears unless you scream.
ERICA: I can’t believe we didn’t see it… Hear it in her voice. Something.
We should have seen it…
AMANDA: But we didn’t. So we have to make it up to her. I’ll do
anything it takes…
ERICA: We all will.
OTHERS: No one hears unless you scream.
CHRISTINE: You’re past the point of my helping you. You have to help
yourself. You have to admit you have a problem. This is way beyond me. I can’t
watch you kill herself. I won’t do it. And if you care even a little about our
friendship you won’t ask me to.
OTHERS: No one hears unless you scream.
SCOTT: Why six and a half feet under?
AUSTIN: Huh?
SCOTT: [to EDDIE] You said six and a half feet under… where does the
extra half foot come in?
EDDIE: In the fact that God’s gonna put you that much further away from
Heaven if you take the path I think I’m walkin’.
OTHERS: No one hears unless you scream.
DAD: You come from a very well-respected family. That has its price.
KIM: You’re divorcing! I’m paying the price already. It’s been one big
lie, since I was little. If people knew what you were really like…
DAD: Watch your mouth! [Collects himself] This isn’t about me. This is
about your future.
OTHERS: No one hears unless you scream.
[Several cast members create the bench for the Judge (Dad). While they
do so, he leaves Kim’s side, gets his robe and gavel and takes his place on the
bench.]
EDDIE: I can’t breathe if I’m not with you. I’m… I’m gonna kill myself.
CHELSEA: Don’t threaten me with that! You’re pissed off, I get it. You
totally have the right. But you’re not gonna kill yourself.
EDDIE: Whatever you want, I’ll do it. I swear.
CHELSEA: You really need to go.
EDDIE: Fine. If that’s how you want it… But you’d better know I’m not
playin’. When I go out that door, you won’t ever see me again. I mean it. Final
exit. Six and half feet under.
OTHERS [taking boxes to their appropriate places in order to suggest a
courtroom scene, with seats for the jurors, the attorney, and the witnesses]:
No one hears unless you scream. No one hears unless you SCREAM. NO ONE HEARS
UNLESS YOU SCREAM!
[EDDIE LETS OUT A LONG, NO HOLDS BARRED PRIMAL SCREAM]
[The JUDGE loudly bangs his gavel. EDDIE stops screaming and pulls the
hood of his sweatshirt over his head and shoves his hands into its pockets]
Endorsements
We had about a hundred people from the community see the play today.
All adults. They cried, they asked questions, and they demanded in a supportive
way, that this be done throughout the region. We told them that we will take it
to two more high schools and probably more as it is requested.
—HS Drama Teacher, Pueblo, Colorado
Wow, that was... wow. It was written beautifully. I'm so happy to see
that theatre has become a platform where we can show important topics like
these to the world and show its importance. Amazing play, Joey. If you happen
to have written any other plays, I would love to read them! Thank you!
—Teacher in the Middle East
To read the complete script and for enquiries about royalty rights for production, email joeymadiawriter@gmail.com
If you or someone you know is
struggling, help is available. Please reach out to a trusted resource such as
988lifeline.org.

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