No One Hears Unless You Scream: A Play About Teen Suicide


                  

Commissioned by Seven Story Theatre Company in 2010

This play was made possible by a grant from the Monmouth County Arts Council and several private donors.

This play has had productions or readings in New Jersey, Connecticut, Ireland, Kentucky, and Colorado.

Author’s Note

The writing of this play would not have been possible without the trust and honesty of the members of Seven Stories (formerly New Mystics) Theatre Company, whose willingness to talk about teen suicide and put themselves in the place of their peers who cannot stand up and speak for themselves is awe-inspiring and deeply humbling. You will never know whose life you may have saved by giving so much of yourselves.

Production Note

The stage is empty except for several boxes of different sizes, placed around the stage haphazardly. Some are stacked, others solitary.

               Along the two sides of the playing area are clothing items, props, etc. used in the play. Again, some are piled together, others are solitary. Those items used by the more solitary characters should stand alone. These will be used as appropriate and discarded after use as the blocking dictates and the director/actors choose.

               The actors, dressed all in black, enter the stage from the house, “wings,” and rear of the stage. They enter in pairs, trios, and alone as the director deems fit (either reflecting the character they play or not). They whisper as they enter—some walking, some crawling, some looking at the audience or each other. Others seem to stare at things that aren’t there.

               The actors are “ghosts” of the characters they play. Re-embodied voices of those that cannot be here to speak for themselves.

               As they enter, they whisper “No one hears unless you scream,” rapidly and unintelligibly. Trios and pairs should split the words between them in different ways. For example, one trio might each take a word in succession: actor 1: No, actor 2: one, actor 3: hears, actor 1: unless, actor 2: you, actor 3: scream. Or actor 1: No one, actor 2: hears, actor 3: unless you, actors 1 and 2: scream. This should help in making a “blanket” of white noise.

               As the actors get into their initial positions for the start of the play, as described in what follows, they begin to get in synch with the phrase until all cast members are whispering it together. The dialogue then begins.

Scene 1: “Statements of the Lie”

[The actors take positions similar to the positions they are in when they speak the following lines later in the play. No boxes should be moved at this point. All the cast members not in the scene speak “No one hears unless you scream” in unison. It should be different in volume, pace, emphasis each time, and the last several times should build considerably in intensity until it nearly is a scream.]

EDDIE: Lots of times. It’s great for stress relief. You can have someone do it for you, with their hands, or a scarf or something, or you can just hang off a doorknob with a belt. Once you’ve had someone help a few times, you can do it by yourself, any time you need to.

SCOTT: Strange… yet appealing. I’m in.

OTHERS: No one hears unless you scream.

LAURIE: I really need your help. Don’t your grandparents live with you? They must have bottles of stuff they’d never even miss. I can pay you. I can get you on the cheerleading team. You want that, don’t you? I’m captain this year.

OTHERS: No one hears unless you scream.

ERICA: I can’t believe we didn’t see it… Hear it in her voice. Something. We should have seen it…

AMANDA: But we didn’t. So we have to make it up to her. I’ll do anything it takes…

ERICA: We all will.

OTHERS: No one hears unless you scream.

CHRISTINE: You’re past the point of my helping you. You have to help yourself. You have to admit you have a problem. This is way beyond me. I can’t watch you kill herself. I won’t do it. And if you care even a little about our friendship you won’t ask me to.

OTHERS: No one hears unless you scream.

SCOTT: Why six and a half feet under?

AUSTIN: Huh?

SCOTT: [to EDDIE] You said six and a half feet under… where does the extra half foot come in?

EDDIE: In the fact that God’s gonna put you that much further away from Heaven if you take the path I think I’m walkin’.

OTHERS: No one hears unless you scream.

DAD: You come from a very well-respected family. That has its price.

KIM: You’re divorcing! I’m paying the price already. It’s been one big lie, since I was little. If people knew what you were really like…

DAD: Watch your mouth! [Collects himself] This isn’t about me. This is about your future.

OTHERS: No one hears unless you scream.

[Several cast members create the bench for the Judge (Dad). While they do so, he leaves Kim’s side, gets his robe and gavel and takes his place on the bench.]

EDDIE: I can’t breathe if I’m not with you. I’m… I’m gonna kill myself.

CHELSEA: Don’t threaten me with that! You’re pissed off, I get it. You totally have the right. But you’re not gonna kill yourself.

EDDIE: Whatever you want, I’ll do it. I swear.

CHELSEA: You really need to go.

EDDIE: Fine. If that’s how you want it… But you’d better know I’m not playin’. When I go out that door, you won’t ever see me again. I mean it. Final exit. Six and half feet under.

OTHERS [taking boxes to their appropriate places in order to suggest a courtroom scene, with seats for the jurors, the attorney, and the witnesses]: No one hears unless you scream. No one hears unless you SCREAM. NO ONE HEARS UNLESS YOU SCREAM!

[EDDIE LETS OUT A LONG, NO HOLDS BARRED PRIMAL SCREAM]

[The JUDGE loudly bangs his gavel. EDDIE stops screaming and pulls the hood of his sweatshirt over his head and shoves his hands into its pockets]

Endorsements

We had about a hundred people from the community see the play today. All adults. They cried, they asked questions, and they demanded in a supportive way, that this be done throughout the region. We told them that we will take it to two more high schools and probably more as it is requested.

—HS Drama Teacher, Pueblo, Colorado

Wow, that was... wow. It was written beautifully. I'm so happy to see that theatre has become a platform where we can show important topics like these to the world and show its importance. Amazing play, Joey. If you happen to have written any other plays, I would love to read them! Thank you!

—Teacher in the Middle East

To read the complete script and for enquiries about royalty rights for production, email joeymadiawriter@gmail.com

If you or someone you know is struggling, help is available. Please reach out to a trusted resource such as 988lifeline.org.


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